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150+ Designer Kitchens for Every Style
We've assembled all our best cooking centers in a single place – from nation easygoing to smooth and current. Which one moves you most?
Black and White
A coated backsplash and weathered oak island effortlessness our tenth yearly House Beautiful Kitchen of the Year. San Francisco designer Jon de la Cruz took his motivation from two of cooking's most urgent nourishments: salt and pepper.
Sara Gilbane blended shape with work by furnishing a Florida kitchen with a beautiful stepping stool. The Palecek barstools highlight a shibori hand-colored cowhide from Studio Four NYC, while Ann Sacks' Moroccan tiles include a splendid fly of blue unmistakable from the living room.
In an enormous Orange County, California kitchen, interior designer Raili Clasen hung vast scale proclamation installations — in excess of three feet tall and weighing 150 pounds each — to"bring the show," she says. For adjust, a solitary column of 11 uncovered knobs lights up the kitchen table. Albeit negligible, the layered, massed gathering makes an incredible visual impact.
"It's constant tastefulness," says Richard Anuszkiewicz of the kitchen he made for an around 1910 waterfront home in Annapolis, Maryland. Made from walnut, imbuia and anigre, the almost 11-foot-long island was propelled by English antiques.
This Texas home has a pizazz for the emotional, kitchen included. A metal counter and equipment glimmer against cabinetry and Sub-Zero fridge boards in Benjamin Moore's Onyx.
In a 1850s diamond, white cabinetry sets off a backsplash in Mosaic House's Batha Moroccan tile. A trio of Ballard Designs Paris Bistro stools pull up to a Corian-topped island and a fireclay farmhouse sink by Rohl has a metal Waterworks Easton faucet.
A dropped floor influences a natural withdraw to feel more sweeping. Planner James Carter designed the custom stove hood. The island pendant is from Circa Lighting.
"Cobalt was a fun method to avoid the common all-white kitchen," says Mark D. Sikes, who picked Farrow and Ball's Stiffkey Blue for this merry island; the stools are by Serena and Lily, the Roman shade is in a China Seas texture and the floor coverings are from Dash and Albert.
The differentiate between the natural stonework and streamlined stainless steel machines give this French-enlivened kitchen an additional measurement of unpredictability. To augment engaging space, designer Inga L. Rehmann scaled down the island and included a 1800s Spanish trestle table with upholstered stools.
Shon Parker expelled an Atlanta home's obsolete cabinetry for a more exemplary Shaker style. Rather than the normal island, he picked a vintage breakfast table to include utility and sculptural interest. The range is by La Cornue, and the hood is by Vent-A-Hood.
In a mountain escape, modern style Shaw pendants by the Urban Electric Co. hang over a custom island with a Calacatta Gold marble top. The divider tile is from Waterworks.
Shades of Gray
Nina Farmer repainted a period home's cupboards Farrow and Ball's Dimpse and included a Urban Electric Co. pendant, revamped in Farrow and Ball's Stony Ground.
Accents of nautical metal were combined with cerused oak cabinetry for an easygoing tastefulness in a Jersey shore house. The Silestone counters have a calfskin wrap up. The solid topped island is painted in Benjamin Moore's Turquoise Haze.
New Eagle windows in a '60s-period house look like steel however are really aluminum. Designer Ray Booth picked sharpened Carrara marble for the counters as an ideal fit for the beige-and-dark palette. A Lindsey Adelman apparatus dangles from another sky facing window over a prep island clad in brushed-and-blanched oak. The divider cupboards are oak with Whitechapel equipment.
Petite Window Shades
The Palecek rattan pendant in this kitchen feels "old fashioned Florida," designer Andrew Howard takes note of; the apparatuses are from Viking, the Lee Industries stools are in textures by Perennials and Link Outdoor and the window shades are in a Peter Dunham Textiles linen.
A Lewis ceiling fixture and Leyden sconces from Hudson Valley Lighting light up our 2016 kitchen of the year. The banquette — canvassed in Interlude from Thibaut's Portico gathering of Sunbrella textures — offers comfortable seating around a Grothouse walnut table with metallized banding. Machine-launderable material shades by Thibaut are "kitchen-functional," says designer Matthew Quinn.
In a cutting edge Hamptons home, stools from Altura Furniture settle under a custom island surrounded in Bianco Dolomiti sharpened marble. Faded walnut custom cabinetry is matched with counters in Caesarstone's Blizzard quartz.
With the room's unique windows as the hopping off point, Jim Dove made a luxury, streamlined cooking space with a beguiling, vintage-feeling shade hood. Polished black cupboards include show, while farmhouse sinks and a 10½-foot long island — it seats six! — effortlessly handle supper prep when there's a group to feed.
In the 2016 San Francisco Decorator Showcase Kitchen by Martin Kobus, delicate grays, whites and walnut make an inviting palette. Cupboards by Martin Kobus Home for KronoSwiss keep a smooth profile, and Holly Hunt pendants light up ledges by Neolith Products.
In Justina Blakeney's "Jungalow," the divider between the kitchen and dining region is fittingly painted in Breakfast Room Green by Farrow and Ball. Moroccan earth tiles from Badia Design cover the kitchen backsplash, and the Silestone ledge is from Lowe's.
Working with only 72 square feet, Austin designer Kim Lewis broke out her best space-extending systems, beginning with on display stockpiling. The copper-pipe racking has snares for hanging mugs and cookware, which keeps the counter mess free.
A "angler's shack" remains consistent with its underlying foundations with legitimate opening windows set in Ann Sacks' Jute glass tile. Sharpened stone counters look like slate yet withstand more wear and tear.
Frances Merrill kept an Ojai home's current ledges and white Viking range however gave the base cupboards a more casual vibe with new entryways painted in Benjamin Moore's Duxbury Gray. She likewise introduced hexagonal earthenware floor tiles and open racks of recovered wood. CB2 counter stools in cowhide mirror the choice to center around characteristic materials.
Designer Amir Khamneipur likes to toss mixed drink parties — he once fit 60 visitors into his modest Flatiron apartment — so he fused the kitchen into the design of the living room. Moderate cupboards painted in Benjamin Moore's Harbor Gray match the shade of the dividers and shroud apparatuses. The Fisher and Paykel fly up gas cooktop is similarly smooth: Its burners withdraw when not being used, abandoning a strong lustrous dark surface.
The Manhattan variant of a farmhouse kitchen highlights sparkling metal equipment, a painted floor and two Wolf broilers. The cabinetry, in Benjamin Moore's White Dove, alongside white-tiled dividers and a drain glass light fixture, makes the dream of included daylight.
The sun-splashed kitchen of a Charleston guesthouse highlights cupboards framed in old-development cypress wood rescued amid the home's remodel. Designer Cameron Schwabenton picked unlacquered metal equipment, which ages after some time and adds to the rural feel of the space. Below zero undercounter fridges and coolers stow away on display to keep up the streamlined design.
"I needed the kitchen to "leave" — which, it turns out, is a disliked thought," designer Michelle Prentice says of her downplayed cooking territory. "When we're situated at the dining table, the kitchen subsides; it feels like we're in a totally extraordinary room." The Danish dining table is encompassed by Jacob Kjaer seats in Bretano's Royalsuede and vintage French easy chairs in Lee Jofa's Tahira Ottoman fabric.
Designer Jill Sharp Weeks introduced press pendant lights from Currey and Company over the curiously large kitchen island in her Charleston home. The Indian wooden trunk with camel-bone decorate houses toys for a considerable length of time's Scottish terrier, Angus.
A checkerboard floor in Benjamin Moore's Racing Orange lights up the for the most part white kitchen of a Nantucket escape. The cupboards are painted Hollandlac Brilliant White by Fine Paints of Europe.
Urban and Industrial
When designer Robert Stilin saw this TriBeCa, New York, hang in a 1887 assembling building, he knew he would return it to its underlying foundations. Steel-wrapped cupboards, antiqued counters and vintage adornments were combined with proficient apparatuses to give the kitchen "moment age" while likewise facing the